Big Ben and Jacko: Some Fools Never Learn

Late Friday afternoon, I went to B.M. Wexford's co-office to ask a favor. Being a fellow native Pittsburgher and Steeler fanatic (redundant?), he swiveled his computer screen and flashed me the latest TMZ report on Ben Roethlisberger's latest legal woes. As you probably know by now, Big Ben is the subject of a criminal investigation over whether or not he "sexually assaulted or sexually manipulated" a 20-year-old college student in Milledgeville, GA, last Thursday night.

Like many of you, I'm sure, I was shocked and not shocked at the same time. A bunch of us stood around talking about it, contemplating Roethlisberger's guilt. Then, a book I'd recently read at work, Ian Halperin's Unmasked. kept popping into my head.

Unmasked is a morbidly fascinating, unauthorized biography of Michael Jackson's last two decades on this Earth. I don't know how much of this book is true, but, if Unmasked is even half true, MJ lived one of the most tragic lives a celebrity could have ever lived.

As you'd expect, most of the book focused on Jackson's child molestation allegations. Halperin began the book project, convinced MJ was a pedophile, and claimed he was determined to prove it in this book. The problem was he couldn't prove it; he couldn't really find any convincing evidence; and ended the book pretty convinced the Jackson, indeed, was not a pedophile.

Now, I've been a Jackson hater for most of my life, but I've always been skeptical about MJ the Child Molester. I mean, all those kids over at Neverland, all those sleepovers, yet all they could find were two allegations out of thousands upon thousands of families. And those two accusations came from families that were incredibly shady.

But Michael's guilt or innocence don't really matter all that much. He's dead, after all. We'll never really know. And our feelings about Jackson's guilt will probably mirror our feelings about what we felt about what Jackson had become these last 25 years. The other reason it doesn't matter is that, like it or not, the word "pedophile" will always be attached to Michael Jackson's name. After all, the man had been accused twice of the same crime and, as the Governator said when he had to deal with sexual harassment allegations, "where there's smoke there's fire." No matter what you think of Jackson, you will always be wondering about those allegations, defending those allegations, or dismissing them as pure bullshit. However, they will always be connected to your memories of Michael Jackson.

The same thing is about to happen to Ben Roethlisberger. Yeah, his first accuser, Andrea McNulty, brought a very strange civil suit against Big Ben last year. She never went to the police nor the hospital; she waited a year to file a civil instead of a criminal case; and she was asking for only $100,000 from a multimillionaire who supposedly raped her. It was all very bizarre and left us with a lot of room to doubt the woman's claims.

But this one, while also a bit strange, is harder to ignore. He's seen all over town with this 20-year-old college student. She goes immediately to the police and the hospital. There are tons of witnesses seeing them together. And this is the second time Roethlisberger has been accused in less than a year. What did Schwartzenegger say again? Oh yeah, right. "Where there's smoke there's fire."

Presuming, for the moment, that Roethlisberger's innocent, I have the same question I had when reading about Jackson: What the hell were you thinking?

For Jackson, after getting gamed by Jordan Chandler's parents (the father having committed suicide last fall) back in '94, his name being dragged through the mud, and his insurance company having paid millions to have it all go away, you would've thought that Jackson would never have had another kid at Neverland ever again. Or, if he did, he'd do it around tons of eyewitnesses, parents in every nook and cranny, and, as soon as the street lights came on, he'd grab a megaphone, and scream, "All right, everybody! Get the fuck out! Don't let the door hit ya where the Lord split ya!"

No more private meetings, no more watching movies together, and never, ever, ever would he have another sleepover.

You would think that Jackson would've realized that he was a target, and, while it would've been a victory for cynicism, he would've severely changed his behavior. So, he'd never have to relive that nightmare.

You'd think the same would apply to Roethlisberger. If he is, indeed, of either or both charges, you've got to wonder what the hell he was doing at that club. What was he doing, at 28, hanging out with that 20-year-old woman? Has the tragedy of Steve McNair taught him nothing? Doesn't Big Ben realize that he'd be a target. After all, everybody would be thinking, "Where there's smoke there's fire."

You'd think that, before Ben even thought about kissing a woman, he'd have his private investigators provide him with family genealogies, high school and/or college transcripts, character witnesses' testimony, and blood work-ups. You'd think that, with civil charges hanging over his head, he'd either be spending the off-season in a monastery or simply not even coming anywhere close to any woman he hasn't known for at least the last decade. In other words, he--and Michael--should've remained utterly and completely above all suspicion.

Now, for Jackson, his Peter Pan fixation is a bit more understandable. He never really did have much of a childhood. What he did have was filled with fame and terrifying abuse. People have done nothing but want, want, want from the man since he was pre-pubescent. Folks have lived off of him since the same time. There were few people he knew who did not try to exploit him. And there were even fewer around who didn't screw him over at some point and betray his trust.

He must not have been able to trust even the most innocent human interaction. Children, while not totally without guile, are so innocent that you can often see their guile a mile away. Children were probably the only people Michael Jackson could ever trust in his world. So, in a way, even if Jackson were not a pedophile, you can understand why he just couldn't keep the kiddies out of his life.

But what about Ben? What was his excuse? Yeah, yeah. Guys think with their dicks. But we also think with our wallets. We also think with our lungs, which generally don't like being exposed to stale prison air. We also can think with our rectums, many of which don't want to be exposed to prison love.

In some ways, it's easier to understand if Roethlisberger is actually guilty of one or both of the supposed incidents. It makes more sense that he's an uncontrollable sexual predator who needs to have his ass thrown in jail. After all, why else would a man who's facing a civil charge for sexual assault turn around and sexually assault yet another woman in a public bathroom? It's utterly psychotic.

Or, if innocent, completely moronic. Roethlisberger should've realized he has a big target on his chest. He should've been nowhere near those women. So, if he's not guilty of sexual assault and/or sexual manipulation (could someone please explain that one to me?), he is most definitely guilty of some incredibly poor judgment. That, too, is believable. He does have a history of such reckless behavior. But with whatever happened in Milledgeville, I'm starting to wonder what else "Big Ben" has a history of. 'Cause we all know what word will now forever be attached to the name "Ben Roethlisberger."

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I Think I'm Wired Wrong

OK, I didn't get to see all of the MJ Memorial Service yesterday. I got it probably from the halfway point on. My tear ducts are clogged (God, I wish I were joking) so I didn't cry through any of it, but I found it touching and in good taste until the end.

Now, this is why I'm wondering if I'm just a right bastard or way too cynical or I like stabbing little kittens in my sleep, or something. Because, while everyone else thought that Paris Jackson's tearful speech at the end was touching and sent the crowd weeping, I was thinking something completely different.

Not that it wasn't touching and not that I don't feel bad for the girl and her brothers in losing their sociological father. It's just that they're the keys to the billion-dollar kingdom and we all know how trifling the Jackson family has been in leeching off their Michael.

It's just that here was this emotionally wracked girl, crying her heart out, and the entire family's in the background prompting, "Speak louder. Speak into the microphone."

Call me a cynic, but I viewed the family's handling of that girl as their opening salvo in the bloody custody battle to come. What makes me really suspicious is the fact that Brother Al was on CNN last night talking about "And I think you couldn't script that. She's not reading a prompter."

Uh ... huh.

Well, I hope I'm wrong -- for the sake of Paris and her sibs and for MJ's legacy.
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Remembering Michael

Not even close to 9/11, I'll still remember where I was on June 25, 2009, when the news of Michael Jackson's demise hit my ears. I was driving Poohbutt home from day care when NPR announced that MJ had been hospitalized. "What? Who? How?" But before anyone could answer my questions or I could park in our lot, the same radio announcers stated, a bit shocked themselves, "Michael Jackson has died."

Like most of you, the news absolutely shocked me. I didn't even have a clue the man was sick. And much to my surprise, I was a bit bummed about the King of Pop's death for a few days. I'm pretty much over it now and have been trying to organize my thoughts for the past week or so. I figure since Jackson's memorial service is today, now is the appropriate time to paste together a few of my impressions of the legend's life and death.



"Ben"

I remember once reading that music is central to the African-American experience and nodding my head vigorously in agreement. Now, I'm not so sure. I'm thinking that music's influence captivates us all. We African-Americans just have cooler music. Ha!

However, having been a young, black boy growing up in the '70s and '80s, in retrospect, it seems that the Jacksons have provided a soundtrack to a lot of my childhood memories.

I remember adults doing the Bump to their music. Trying to do the Robot after watching them perform "Dancing Machine." Back in '77, I spent the summer in LA. Our babysitter taught us a dance routine to "Rockin' Robin," and I remember performing our laughable Jackson imitation for my Aunt Erni and Uncle Bob. My grandmother loved that family. When she died, I got her sole Jacksons album. Dragging my Mom to go see The Wiz. And how much I wanted to be like Michael--'cause that's who all the little girlies loved.

When I think of my early childhood, I think of the Jackson 5--their music, their TV show, their little sister Janet, and their cartoon--and I smile. How couldn't I?



But, despite that ever-present winning smile on Little Michael's face, we now realize that he never had the same fond reminiscences of childhood. He never had a childhood. We realize now how sad Michael Jackson's childhood must have been. I guess "Ben," that creepily touching ballad to a boy's pet rat, was probably his first cry for help.



"Dancing Machine"

This past weekend, we were listening to DJ Sixth Sense's Michael Jackson Tribute Mix (download it now!). I've never seen Poohbutt dance so vigorously and for so long, giggling and smiling the entire time.



"Thriller"

Somewhere within the Thriller maelstrom, Michael Jackson lost me. But, damn, when that album first came out ...

I marveled at the glowing sidewalk in "Billie Jean." I crooned along with "The Girl Is Mine." I think I went to school moonwalking after that Motown 25th Anniversary special. I even remember getting clowned at a school dance, trying to pull that move off. I also remember wanting to strangle my boy, T, because his cable package carried MTV and he got to see the world premier of the "Thriller" video--while I had to wait 27 years until Friday Night Videos got to play it. I remember clinging desperately on the phone with him, screaming, "What's happening? What's happening?" as he watched the video, telling me what was going on. And damn, Ola Ray was fine!



But somewhere within the whirlwind, 1999 happened. A 12-year-old is looking for rebellion as his body changes, and Michael was just too squeaky clean. Prince was a friggin' freak (now who looks "normal"?). I fell behind His Royal Badness's line when it came to the Michael/Prince divide. I started to feel that Michael was simply too corny.

Then hip-hop came along, and we were through. After all, a growing black boy in the white suburbs trying to figure out what black manhood meant would naturally turn to LL's "I'm Bad" as opposed to a leathered-up Michael, dancing with faux-gangsters, jazz-handing "Really, really baaaaad!" every time. Besides, wouldn't Wesley Snipes have kicked ... his ... ass?







It wasn't until 1993, 11 years later, when I was in the Czech Republic, listening to my Czech girlfriend's well-worn copy of Thriller that somehow jumped over the Iron Curtain, that I realized just how perfect that album was. That was when Michael Jackson regained my respect. I still wouldn't listen to his music, but I did respect the man.



"Somebody's Watching Me"

While living in the Czech Republic, I experienced a scrutiny I hadn't suffered before--or since. Being the only African-American they'd ever seen (and some refused to believe we even existed), I attracted a lot of attention. Some people wanted to befriend me, some women wanted to more than befriend me, and a lot of people wanted to just kick my ass. I jokingly referred to it as the "Fight-or-Fuck Response." But my presence more times than not provoked some sort of response. It pretty much drove me mad. Outside of my girlfriend's clique, my fellow expats, a few Africans, Roma, and my boy, Ayman, it felt like very few people wanted to actually know me as a person. And any time someone approached, I was wary and oftentimes hostile, wondering what the hell this person wanted from me.

The absolute maddening thing was everybody knew my every movement. I couldn't hide. One time I thought I'd found a cute, little pub on the outskirts of town where nobody knew who I was. My friend and I would play backgammon there in the afternoons. One time, my landlady wanted to pass me a note, and that note found me at my little hideout. The waiter simply passed it to me. I had to find a new pub.

Another time, at one in the morning, I was leaving the pub, and some strange guy I'd never met before walked up to me, and said, "There's a package waiting for you at the post office. It's from your father in Atlanta."

Suddenly, I found myself singing that popular, MJ refrain, "I always feel like somebody's watching me."

Unfortunately, I was right. It was the remains of Czechoslovakia's StB, their KGB equivalent. The day before my announced departure, some guy emerged out of the crowd and flashed a badge. When I turned to run, his partner was right behind me, flashing his badge. They escorted me to what I'd thought was a furniture store, took me in the back, and opened my file. It was filled with all sorts of stuff I'd done and not done ever since I'd entered their town. They grilled me for a couple of hours, deported me, and stamped on my passport that I was not allowed to re-enter the Czech Republic for the next seven years.

That aside, I came to realize, in a very miniscule way, that this intense scrutiny must be what fame was like. I knew that I never wanted to experience anything like that again. Fortunately, with the way I write, I don't have to worry about that.






"State of Shock"



Fame is just an unnatural state in which to reside. We humans are indeed a communal species. We need each other, and we need those bonds. We need to be connected. Fame distorts all of that. All of the sudden, a person is launched outside of that tight-knit network of friends, neighbors, family, and associates, and is launched on a stage far bigger than any single human can inhabit. People you'll never know feel that they know you. They hunger for your presence. They feel the need to feed off your aura, your presence, and your very presence. The private becomes public, and it's hard to trust any moment or any person around you.

We've seen grown people lose their minds once they became famous. Remember Billy Bob Thornton? The man was in his 40s before true fame came his way. Suddenly, he divorced his wife, shacked up with Angelina Jolie, and started carrying a vial of her blood around his neck. Look at how the Johnny Depps, Russell Crowes, and Christian Bales of this world have acted once the scrutiny became too much for them.

And this level of fame was foisted upon Michael when he was just eleven-years-old. It became utterly cosmic after Thriller. Boomers often regale us with tales of Beatlemania, and we've all seen the sheer madness that ensued when the Fab 4 hit the States. The Beatles were big, no doubt. But Michael Jackson had that insanity trail him on every corner of the globe. There is not a single person on this planet above the age of 25 who does not know who Michael Jackson is. I even heard one reporter talk about how MJ was greeted at the airport by every single dignitary, official, journalist, janitor, and child when he landed in Cote d'Ivoire. Was there any place this man could hide? Did the man ever have a chance at a sane existence?



"Doctor My Eyes"

There are a lot of things about Michael Jackson's untimely death that had originally creeped me out. One of the things was that Michael never grew older, he only grew weirder. Our other childhood/teen idols from the '80s are aging well, but they are aging. Bruce Springsteen pulled that "I've Fallen and I Can't Get Up" routine during the Super Bowl; Madonna seriously needs to euthanize her sex kitten act; and Prince has gotten hip-replacement surgery. And all we have to do is watch VH1 to see how Father Time is bitch-slapping the rest of those fools. But with Michael ... with all that surgery ... we could never really tell exactly how old the man was. He only looked creepier than he did in 1987--not older. So, he was frozen in time in our own minds. We couldn't understand how someone so young died so soon. Fifty is way too young to die, but it's more understandable than the 29-year-old we keep picturing him as.






"Man in the Mirror"



As I stated before, when I think back on my young, black childhood, I often think of Michael Jackson. When I think of the later Michael Jackson, however, I can't help but feel more than a little discomfort. The question that plagued me for the last 25 years still nags at me as I type this: Why did Michael do that to himself?

Don't get me wrong: I know that we black folks often have a love/hate relationship with our brethren. Well, more like love/annoyed relationship--especially when the media picks out the most triflin' motherfather when they do their "man on the street" interview. (Seriously people, at least pick a Negro with all his teeth in his head!) But it's mostly love. We love our religion, our music, our language, our loudness, our people, our skin! What did this man see in himself that he hated so much? Why did he have to constantly chisel away at his big, broad, black nose? Those lips? Why did he keep becoming whiter and whiter?

And what does it mean when this icon of black culture, all that is beautiful in our people, became whiter than a ghost caught in a supernova?

I know we're all going to shove those questions to the back of our minds. I know that Jamie Fox will not be alone in screaming that Michael Jackson was a BLACK MAN (word to Jamie, outside of MJ, only Corey Feldman could rock that look; believe that!). I know a lot of us will cling desperately to our '70s Michael and vitiligo. But let's face it, if Michael really wanted to even out his skin with all those white splotches showing up, wouldn't it have been a lot easier to cover those splotches with Negro-friendly makeup than it was to completely bleach his skin?

As a whole, I know we will forgive Michael this grandest of betrayals if only because these questions are too complicated, too depressing to contemplate. However, I think they will always nag at us.



"Leave Me Alone"

I know that Black Woman Trumpet disagrees with me (check out her blog, people), but Michael Jackson's life did become a freak show. The man and everything and everyone that revolved around him was just ... bizarre.

The German zoo debacle, dangling his own child over a balcony.

The nose, Emmanuel Lewis, McCauley Culkin, the skin.

Lisa Marie Presley, Neverland Ranch, Elephant Man bones, his Jackson kin.

And yes ... the kids.

Of course, with the 24/7 media colonoscopy the man has received these past 20-plus years, anything he did would look bizarre. But damn, Michael, you did provide a lot of fodder. But, before the end, after that horrible Martin Bashir interview and the LA District Attorney went after him, Michael went from a creepy, circus freak to become an object of my sympathy. It was all so horrible, I cried along with him when he sang, "Leave Me Alone."





Unfortunately, I have a sneaking suspicion that the freak show ain't over by a long shot. Later, when I remember MJ, I'll try to remember these past few weeks because the next few weeks, months, years? are going to be a side show that will continue to make us cringe. Michael is still worth a lot of money, and there's going to be a battle royale over that loot. His family has been leeching off him for decades now (hell, is there even a Jackson 5 without him?). Do we really think they won't ring every ounce of blood out of his estate? We've already seen Jesse Jackson attach himself to the fam. It can only go downhill from there. We will be inundated with news updates over his autopsy, subsequent conspiracy theories, the custody over his children (the real keys to the treasure chest) and people tearing each other's throats out while they claw away at his remaining wealth. It will be sad, tragic, and we will marvel--just like we've been marveling over the man for the last 40 years.



"The Lost Children"



But, as I said, so much of the man's life was utterly bizarre. In fact, it was so bizarre, so completely insane, that when MJ told that dickhead, Martin Bashir, that nothing was more beautiful than sharing one's bed with a child, I actually believed him. I really thought that he just "shared" his bed and never touched any of those kids he slept with. Don't get me wrong: it creeped me the fuck out, but I just didn't picture Michael as a child molester.

I mean, here was a man who had never been a child. He was performing and touring at the age of five; his father was constantly whipping his ass if he didn't get his dance moves straight; and he had grown women throwing themselves at him by the time he was 11. The pop psychologist (black apologist?) in me thought, in a weird way, it was probably perfectly normal for Michael to try to regain that childhood he never had.

I still hate Martin Bashir for airing and building his career off that interview. I still hate the LA District Attorney's office for trying to prosecute that non-case. And I really hate all the parents who smelled blood and moolah and tried to sue him into bankruptcy.






"Off the Wall"



I think Sue over at What Got Me Going Today (read it) hit it on the head when it comes to what really bummed me out about Michael Jackson's premature death: he never did get his moment of vindication.

I read once that celebrity news stories often run similar to the Greek heroic epic. Our hero comes out of nowhere, rises to the top, is brutally knocked down, and then climbs back to the top, achieving redemption and vindication. Michael never got that. And that's what saddens me most.

For those people under 25, Michael Jackson was never the great artist that he was. He was either considered an institution or someone who needed institutionalized. He was the Freak Show. Not the Michael Jackson of the Jackson 5, of Off the Wall or Thriller. Not the Michael so many of us grew up loving.

Our media constantly abuse the terms "great" and "icon" to the point that it's a bloody pulp without any true meaning. But Michael Jackson was great!

As I said, Thriller hopped over the Iron Curtain. There were people, cowering while listening to "Billie Jean," dreaming of freedom.

MTV originally refused to play his videos because of his black skin. Yet, it was this black man who made MTV the powerhouse it is today. It was Michael Jackson who turned the music video into an event, an art form, more than just a simple tape shot of musicians stiffly performing their own music.

Before Thriller, music execs were complaining about how they were losing sales and may not survive, that they couldn't generate anything more than one one-hit wonder at a time. Michael changed all that. He saved the music industry in the early '80s.

Thriller was the greatest selling album of all time. Not the Beatles, not the Stones, not Elvis. Michael Jackson holds that title. Like the home run record, it'll probably be broken one day, but it's gonna be damned near impossible to break that 60-million-record mark.

And here was a man who had hits in five decades!

Hell, the man even invented his own shoe, so he could pull off that freaky, 45-degree lean in "Smooth Criminal."

His music, his voice, his performance was so great, there was probably not a single person on the entire planet that had not heard his music. There was not a cobweb on the globe that did not contain at least one Michael Jackson fan.

Yet, so many people will never know the Michael that ruled our world. They'll only remember the Freak Show, the Pedophile, that cadaverously white flesh.

That is what strikes me as the real tragedy in all this.



"Remember the Time"

As with any public figure, we will take and cherish and deride what we will with Michael Jackson. Personally, I'm going to try to forget the tragedy of his later years. I don't remember all that. I want to remember my little "Rockin' Robin" routine, rocking to "Rock with You," falling on my face while trying to moonwalk. I want to remember that little kid with that ever-present, infectious smile. I want to remember when Michael made me feel black and proud. That's the Michael who makes me smile, who makes me feel good. And when it comes down to it, isn't that what so much of his music was about? Isn't that what this truly, great performer really deserve?




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R.I.P. Michael Jackson?!

OK, I admit that I haven't been much of a fan since Off the Wall. I mean, I loved Michael as a kid, loved The Wiz and Off the Wall. Thriller was way too ubiquitous (all right, I'll admit, I moonwalked with the worst of 'em and I would've killed to have MTV so I could watch the "Thriller" video--but damn, that album sold tens of thousands behind the Iron Curtain) and the brother just kept getting weirder and weirder--and whiter and whiter. However, oddly enough, just this morning I was thinking about how Thriller was the perfect pop album. He was crazy as hell--but, damn, at one point, there was no star brighter, was there?

It's hard to believe the freak show has ended.


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